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Wt20listopada20070104przed południem
 Andrea Passigli studied in Italy and in the United States. He graduated cum laude from the Conservatory L. Cherubini in Florence under the guidance of Maria Tipo and participated in the Marlboro Music Festival at the invitation of Rudolf Serkin, whose teaching had a fundamental role in his musical development, which is mainly directed towards Viennese classicism. Important points of reference in his education where also his meetings since childhood with Pablo Casals, Nikita Magaloff.. Mr. Passigli, who has constant interest for chamber music and Lied, has performed in recitals and concertos in Italy, U.S.A, Austria, England, Holland, Russia, Rumania, Yugoslavia, Hungary and Poland. He has recorded an album of 2CD with music for piano solo by Schubert, edited by fonè, a CD dedicated to Lieder on texts by Heine with the baritone Leonardo Wolovsky, and one on French impressionism with flutist Alexander Duisberg edited by Ema Records. He is Professor of Piano at the Conservatory G. Frescobaldi in Ferrara.
Andrea Passigli pedagog pianista
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Wt20listopada20070103przed południem
| “…..From the first phrases of the Mozart Sonata….Andrea Passigli showed the security of a first rate musical temperament: his extremely clear phrasing, inspired by the noble calm of great Mozart interpreters like Walter and Fisher with his ” cantabile” always expanded and cordial but at the same time rigorously accentuated. These gifts that one cannot acquire, were demonstrated by the pianist in the great pages of Chopin, and with particular congeniality in the Schubert Sonata….”.Giorgio Pestelli, LA STAMPA - Torino“….Passigli plays with musicianship, understands what he plays, knows how to highlight the focal points of the various works with a striving for perfection that is admirable….”.
Leonardo Pinzauti, LA NAZIONE - Firenze
“…Andrea Passigli is a secure and incisive artist who, guided by nobility and taste, instinctively rejects unnecessary effects and forced expressiveness. Instead, through his interpretation, he aims at a continuous tension of the phrasing which becomes a synthesis both direct and dramatic……”.
Giuseppe Rossi, PAESE SERA - Firenze
“….What is striking about Mr. Passigli in general is his ability to move the audience from preoccupation with the pianist to concentration on the music itself, the true sign of a worthy performer…”.
Luise Forsyth INTERNATIONAL DAILY NEWS
“…The interpretative line chosen by Andrea Passigli, a pianist with an Italian-American background, is rather clear and tends to conserve the simple and intimate image of Schubert tied to the tradition… The music develops under the sign of naturalness… significant is his respect for Schubert’s dictate, apparent in the extreme care with which he plays what is written on the page, and above all - an extremely rare case -in observing all the written repeats… The musical line develops with absolute precision and from this it draws its strength…”
G.Moroni AUDIO REVIEW
“…The performer allows himself to be taken by the ecstasy of sound, but without ever losing sight of the movement’s formal aspects…Particularly successful are the second and the third Moments Musicaux and the first of the Impromptus. It is the second time that I express a positive judgement on an Italian pianist’s achievement with Schubert…”
Francesco Lo Cascio CD CLASSICA
“…Beethoven, Bartok, Schumann: three distant musical worlds that Passigli outlined with an intelligent interpretation, always stylistically conscious and at the same time without calculated schematism….”.
Gilberto Costa, PAESE SERA, Firenze
“…..Mr. Passigli played putting emphasis, especially in Bach, on thoughtful moments of subtle intimacy, with a gentle and at times rich touch, and on clear differences in the dynamic ranges. In Schumann’s Carnaval, the complex elements of the musical operation were fully evidenced , in an inspired and meditated performance, at times impetuous, that perfectly highlighted the spirit of the piece…..”.
LA NAZIONE, Arezzo
“….Mr. Passigli gives us, intact and fascinating, Schubert’s rediscovery of expanding to infinity those essential melodic lines, the sublime “thematic” hints, which are symptoms of an unrepeatable creative inspiration….”
Raffaele Fresu, IL RESTO DEL CARLINO - Ferrara
“….His platform demeanour was serious, confident , and self-possessed and….he demonstrated firm command of his fingers and the keyboard in a demanding program…”.
Alan Kayes, EAST HAMPTON STAR - New York |
Andrea Passigli pianista
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Wt20listopada20070103przed południem
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Wt20listopada20070103przed południem
Wydawca: foné 97F 01/02
Franz Schubert - solo fortepianowe Andrea Passigli
CD I Sonata B-dur D960
CD II 4 Impromptus D899, 6 Moments Musicaux
Wydawca: EMA RECORDS DD60001
HEINE LIEDER Leonardo Wolovsky - baryton
Andrea Passigli - fortepian
Schubert, Schuman, Wieck, Mendelssohn, Liszt, Brahms, Grieg
Wydawca: EMA RECORDS DDD70013
Aleksander Duisberg - flet
Andrea Passigli - fortepian
Fauré, Ravel, Debussie, Bartók
Andrea Passigli pianista
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Wt20listopada20070103przed południem
PROGRAM 1 FRANCISZEK SCHUBERT
- 4 IMPROMTUS op. 90 . D 899 ( 1827)
1797 - 1828
Allegro molto moderato
Allegro Andante
Allegretto
albo
- 6 MOMENTS MUSICAUX OP.94 D780
1) C dur - moderato
2) As dur - Andantino
3) f moll - Allegro moderato
4) cis moll - Moderato 5) F minor - Allegro vivace 6) A flat major - Allegretto
albo
- 12 LAENDER op. 171
3 KLAVIERSTUCKE OP. POSTH.
n. 1 es moll - allegro assai
n. 2 Es dur - allegretto
n. 3 C dur - allegro
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- SONATA B DUR OP. POST. D 960 ( 1828 )
Molto moderato
Andante sostenuto
Scherzo: allegro vivace con delicatezza Rondò: allegro ma non troppo
PROGRAM 2
BELA BARTOK
- TRZY RONDA NA TEMATY LUDOWE (1916-1927)
1- Andante
2- Vivacissimo
3- Allegro molto ( 8 min.) 15 WĘGIERSKICH PIESNI CHLOPSKICH (1914-1918)¼br> -Quattro antiche melodie
-Scherzo
-Ballata
-Antiche melodie di danza ( 13 min.)
- SUITA OP. 14 (1916)
-Allegretto
-Scherzo
-Allegro molto
-Sostenuto
( 8 min.)
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- CZTERY PIEŚNI POGRZEBOWE OP.8/A (1909-1910)
-Adagio
-Andante
-Poco lento
-Assai andante (10 min.)SONATA ( 1926 )
-Allegro moderato
-Sostenuto e pesante
-Allegro molto (15 min.)
PROGRAM 3
- W.A. MOZART, FANTAZJA d moll
- L.V.BEETHOVEN, SONATA C DUR OP. 53 ( WALDSTEIN )
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- F. CHOPIN,
- 2 ETIUDY OP. 25
- BALLADA g moll. OP. 23
- FANTAZJA f moll. OP. 49
PROGRAM 4
- A. SCARLATTI, TRZY SONATY.
- S. BACH, PARTITA N. 4 D DUR
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- J.BRAHMS, VARIATIONS AND FUGUE ON A THEME BY HAENDEL
PROGRAM 5
W.A. MOZART
- SONATA IN F MAJOR K. 280
SONATA IN B FLAT MAJOR K . 281
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C. DEBUSSY
- DEUX ARABESQUES albo
2 PRELUDES FROM BOOK 1
Le vent dans la plaine
La Cathedral Engloutie
CHILDREN’S CORNER SUITE
PROGRAM 6
- L.V. BEETHOVEN, 6 BAGATELLES OP. 126
albo
- F.J.HAYDN, SONATA IN E FLAT MAJOR HOB XVI:52
albo
SONATA IN D MAJOR HOB XVI:19
- L.V.BEETHOVEN, SONATA IN A FLAT MAJOR OP. 110
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- R.SCHUMANN, CARNAVAL OP. 9
PROGRAM 7
- R. SCHUMANN, PAPILLONS OP. 2
WALDSCENEN OP. 82
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- R. SCHUMANN, CARNAVAL OP. 9
PROGRAM 8
- C. DEBUSSY, DEUX ARABESQUES
- A. SKRIABIN, ETUDE OP. 8 N. 12
ETUDE OP. 65 N.1
5 PRELUDES OP. 74
——————————————————–
- R. SCHUMANN, CARNAVAL OP. 9
Andrea Passigli pianista
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Wt20listopada20070100przed południem
Pianista Andrea Passigli studiował we Włoszech i USA. Ukonczyl z najwyzszym odznaczeniem Konserwatorium L. Cherubini we Florencji w klasie Marii Tipo. Na zaproszenie Rudolfa Serkina uczestniczył w Marlboro Music Festival. Rudolf Serkin miał duży wpływ na muzyczny rozwój artysty i jego szczegolne zainteresowanie wiedeńskim klasycyzmem. Silny wpływ na osobowość artysty mieli również Pablo Casals i Nikita Magaloff, z którymi spotykał się od dzieciństwa. Andrea Passigli jest solistą, kameralistą i posiada glebka znajomosc repertuaru Lieder. Grał recitale i koncerty we Włoszech, USA, Austrii, Angli, Holandii, Rosji, Rumunii, Jugosławii, na Węgrzech i w Polsce. Nagrał podwójny album z muzyką na fortepian solo Schuberta wydany przez “foné” oraz CD “Ema Records” z flecistą Alexandrem Duisbergiem, poświęcony francuskiemu impresjonizmowi, jak również CD z barytonem Leonardo Wolovsky z Lieder do tekstow Heinego. Andrea Passigli jest profesorem fortepianu w Konserwatorium G. Frescobaldi w Ferrarze we Włoszech.
 Skrzypaczka Weronika Kadłubkiewicz jest absolwentką Wyższej Szkoły Muzycznej w Warszawie w klasie Krzysztofa Jakowicza. Kontynuowała studia z Henrykiem Szeryngiem i Romanem Totenbergiem w USA. Solistka wielu orkiestr w Polsce, USA i Europie, koncertmistrz New Hampshire Symphony, Orchesta Filarmonica de Gran Canaria i Polskiej Orkiestry Kameralnej. Grała również z Boston Symphony i Orpheus Chamber Orchestra. Dwukrotnie uczestniczyła w Sommerkurse w Darmstadt, a na zaproszenie Lejarena Hillera była rezydentką Creative Associates w Buffalo NY. Występowała na scenach w Polsce, Hiszpanii, Włoszech, Szwecji, Francji, Niemczech, Szwajcarii, Kanadzie i USA. Utalentowana wykonawczyni skrzypcowej muzyki współczesnej ma na swoim koncie prawykonania utworów, z których wiele zostało napisanych specjalnie dla niej. Weronika Kadłubkiewicz brała udział w festiwalach: Warszwska Jesień, Marlboro Music Festival, Bach Aria, Monadnock Music i inne. Prowadziła klasę skrzypiec i muzyki kameralnej w Amherst College, University of Massachusetts i w Smith College. Nagrała płyty dla firm Gasparo i CRI. Po dwudziestu latach pobytu w Stanach Zjednoczonych przeniosła się do Paryża.
Andrea Passigli muzyka kameralna pianista skrzypaczka Veronica Kadlubkiewicz
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Wt20listopada20070100przed południem
PROGRAM 1
- Franz Schubert, Sonatina in re magg. op.post. D 384
Allegro molto
Andante
Allegro vivace
- Johannes Brahms, Sonata in La magg. op. 100
Allegro amabile
Andante tranquillo,vivace,andante,vivace di più, andante,
vivace.
Allegretto grazioso
******************************************
- Grazyna Bacewicz, Sonata per violino solo ( 1958 )
- Karol Szymanowski, Due Mazurke per Pianoforte dall’op. 50
Sonata op. 9 per violino e pianoforte ( 1904 )
Allegro Moderato
Andantino tranquillo e dolce
Allegro molto, quasi presto
PROGRAMMA 2
- S. Prokofieff, dalle “Cinque melodie senza parole” n. 3 - 4 -5
- S.Prokofieff, Sonata per violino solo
- Karol Szymanowski, Sonata op. 9
Allegro moderato
Andantino tranquillo e dolce
Allegro molto quasi presto
*************************************************
- Karol Szymanowski, Due Mazurke per Pianoforte dall’op. 50
- S. Prokofieff, Sonata in fa min. op.80 n. 1 per vl. e pf.
Andante assai
Allegro brusco
Andante
Allegrissimo
PROGRAMMA 3
La Danza fra 800 e 900
S.Prokofiev da Romeo e Giulietta:
Marcia
Danza delle fanciulle
M.Magin: Kujawiak
Oberek
P.Sarasate: Romanza Andalusa
M. de Falla: Danza spagnola
C.Saint-Saens: Capriccio su uno Studio in forma di Walzer
<<<<<<<<<<<<<<<<<<<<<<<<<>>>>>>>>>>>>>>>>>>>>>>>>>>>>
F. Chopin: Polonaise in do diesis min. op.26 n.1 (pianoforte solo)
Mazurka op.17 n.4
Mazurka op.56 n.2
H.Wieniawski: Polonaise in la maggiore
B.Bartok: Danze Rumene |
Andrea Passigli muzyka kameralna pianista skrzypaczka Veronica Kadlubkiewicz
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Andrea Passigli studied in Italy and in the United States. He graduated cum laude from the Conservatory L. Cherubini in Florence under the guidance of Maria Tipo and participated in the Marlboro Music Festival at the invitation of Rudolf Serkin, whose teaching had a fundamental role in his musical development, which is mainly directed towards Viennese classicism. Important points of reference in his education where also his meetings since childhood with Pablo Casals, Nikita Magaloff.. Mr. Passigli, who has constant interest for chamber music and Lied, has performed in recitals and concertos in Italy, U.S.A, Austria, England, Holland, Russia, Rumania, Yugoslavia, Hungary and Poland. He has recorded an album of 2CD with music for piano solo by Schubert, edited by fonè, a CD dedicated to Lieder on texts by Heine with the baritone Leonardo Wolovsky, and one on French impressionism with flutist Alexander Duisberg edited by Ema Records. He is Professor of Piano at the Conservatory G. Frescobaldi in Ferrara.
