“Of all my students, Magda plays in the most beautiful way…” - that is how Tadeusz Wroński, a longtime professor of the Academy of Music in Warsaw, one of the greatest and most versatile of Polish teachers of the art of violin playing, used to say about Magdalena Rezler-Niesiołowska. The artist proved that opinion was justified by winning a number of such reputable international violin competitions as Queen Elisabeth of Belgium in Brussels, Jacque Thibaud in Paris or Karl Flesch in London. She also won medals at the Biennale in Bordeaux and, together with her string quartet, in Budapest.

Born in Bydgoszcz, in a known family of musicians, she graduated from the Academy with honors, being a student of Professor Wroński and of closely cooperating with him Stanisław Kawalla. As a soloist, she takes part in symphony and chamber concerts and performs recitals in almost all European countries, but also in the USA, Mongolia and South Korea. Her performance was often recorded for the radio and television in Poland, Czechoslovakia, East Germany, West Germany, Belgium and France. Her repertoire includes over 30 concertos with orchestra and 20 recitals. She was a concertmistress of the “National Philharmonic Chamber Musicians” orchestra of Karol Teutsch, performing many solo concertos with it; currently she also takes part in chamber concertos in Germany and Switzerland, cooperating with excellent instrumentalists, such as “Freiburger Barock Solisten.”

Magdalena Rezler-Niesiołowska, following the steps of her professors, is an excellent educator - for many years she led a violin class in her home Warsaw university, and since 1991 she has been a professor in the renown Hochschule für Musik in Freiburg (Germany). Her graduates are members of symphony orchestras in Berlin, Frankfurt, Stuttgart, Bremen, Hamburg, Detmold, Freiburg, Warsaw, Budapest, Zurich, Istanbul, Seoul, Tokyo and of the International Mahler Orchestra. She conducts master courses in Germany, Poland, South Korea, Japan, Austria and the USA. She is a jury member of violin competitions in Poland and abroad.

Her latest CD “Con bravura e sentimento” with Polish virtuoso music for solo violin, recorded with her husband, a well known conductor Maciej Niesiołowski, gained wide attention and admiration. Wanda Wiłkomirska wrote about it in the letter to performers: “…congratulations both for the idea and for performance….Magda’s performance is unusually delightful…You play Wieniawski Polonaise better than all the candidates for the Wieniawski Competition put together…Scherzo-Tarantella sounds perfect, but to be effective it must be played with such rhythmic precision and such fantastic accompaniment as you do…”

For the last few years (2005-2007) Magdalena Rezler-Niesiołowska has performed mainly in Germany - a lot of recitals of diverse scope, such as a solo recital (with sonatas of Bach, Bartók, Bacewiczówna, Ysaÿe and Meyer), all Beethoven’s sonatas, recitals of Polish music and other. Moreover, together with recognized artists, she took part in many concerts of chamber music with orchestras in Poland, Switzerland and Germany. Recently, with “Capella Bydgostiensis,” she performed Mozart concertos in Germany. With the National Polish Radio Symphony Orchestra in Katowice, she played a violin concerto of Krzysztof Meyer and with Juliusz Berger - concerto for violin and violoncello of the same composer.

Magdalena Rezler-Niesiołowska - pearl from Poland  “…The chance to admire of a Polish virtuoso of this class does not happen too often in Chicago. A virtual pearl from Poland! We thank you for that concert….”    Dziennik Związkowy (Polish Daily News), Chicago April 9, 2004.

37th Poznań Musical Spring Festival
“…Comprehensive perfection of this piece (Espressioni Varianti of Tadeusz Baerd) was connected with the orchestra’s high level of performance and fascinating, as far as technique and expression is concerned, playing by a soloist Magdalena Rezler-Niesiołowska…”  Tadeusz Szantruczek Ruch Muzyczny, December, 2002

In the best style
“… She plays Bach in the way the greatest masters played him…”              Ludwik Erhard Ruch Muzyczny April 15, 2001                                                                                    

Great violin solo. Concert in Hochschule fuer Musik in Freiburg, performed by Magdalena Rezler
“Magdalena Rezler did not take the easy way out during the evening solo program in the Chamber Hall of the University. From the very first to the last minute, from Bach’s Sonata No.1 till Ysaÿe’s ballad, the concert was dominated by virtuosity of the violin player…
The technique of playing justifies comparison of the concerto to a hurdle race. The Freiburg professor did not give the audience any rest periods, performing in a masterful, commanding respect way…                 Badische Zeitung. June 5, 2001

“…Magdalena Rezler’s violin sounds very beautiful, with sincerity and great power to persuade. This typical East European sound matched perfectly Bach’s Sonata. Her music was like a fervent prayer, personal communication with God. Ysaÿe’s solo sonata was played with  astonishing virtuosity, and in the “Arethusa´s Fountain” the artist, together with the pianist Naoko Matsumoto,  conjured up a mystic atmosphere. The concert, crowned with performing Ravel’s “Tzigane” and Elgar’s “The Snow,” proved to be a great success of the violinist.”               Tokyo, November 28, 2001

“…The soloist of the evening, presenting herself in Concerto A minor, was a violinist of Polish origin, Magdalena Rezler, professor of Freiburg University of Music. She enriched her interpretation by powerful momentum and, at the same time, flexibility of sounds, which inspired the orchestra to perform with even stronger emotion…”          Darmstädter Echo  December 13, 2000

Summer meetings in Radziejowice
“…Experts on music sitting among the audience admired Magdalena Rezler’s craftsmanship and control of the violin and her interesting interpretation of Romance, Krakowiak (Cracovienne), Burlesque or all three Wieniawski’s pieces that she played. … Only real virtuosi are capable of playing like this. The audience recognized it instantly. Thunderous applause and several encores were the result …                          August 16, 2000                

“…In solo parts of popular around the world violin compositions, this time we had an opportunity to listen to the famous Magdalena Rezler-Niesiołowska. Bach violin Concerto in A minor in the violinist’s interpretation was first of all intriguing by its sound quality. …, virtuoso Rondo capricioso of Camille Saint-Saëns, full to the brim with Spanish fiery enthusiasm, fully highlighted the violinist’s brilliant craftsmanship, so impressive due to sparkling figurations, especially extraordinary flexibility in the use of the bow…” Katarzyna Kaczmarczyk     Gazeta Wyborcza, Opole    October 9, 2000

POLISH DAYS - CONCERT IN “KLEINE MUSIKHALLE” IN HAMBURG
“…the superiority with which the charming Pole conjured up such a composition as Ravel’s “Tzigane.” It was equally astonishing with what self-restraint she immersed herself in the beauties of Beethoven’s Sonata… rich artistic maturity and devilish virtuosity in the caprices of Paganini and Polonaise of Wieniawski kept one in constant suspense…”
                                                                                     Hamburger Abendblatt

It was a concert that filled the audience with wonder, which then broke into frantic applause - not a common view among the people of the North, usually reserved in their manner. Playing translates into presenting something extraordinary - nobody could prove it better that than the Warsaw violinist Magdalena Rezler. “Super-musical” to the bone, M.R. plays with her whole body, and while playing she reads aloud the whole intensity of her interpretations. To listen and see how this Pole plays - is a real pleasure!                                                              Cuxhavener Nachrichten

Extraordinary concert of the Dresden Philharmonic
“…It was followed by Beethoven violin concerto in D major performed by a Polish violinist Magdalena Rezler, quite familiar to the audience due to her many performances and having a faithful group of local listeners. After compositions of Karłowicz, Bacewicz and Viotti, it was her most ambitious challenge. The way she met it commands sincere respect. Her mind concentration and excellent control with which she performed were almost palpable when she was getting out of it all forms and content that so much distinguish it. On the other hand, the intensity of her playing was remarkable, and the same could be said about savoring many lyric fragments - all the time maintaining enviable lightness of sound. Vigorous presentation of the dramatic events of the composition was also remarkable. …”                         Saechsische Neueste Nachrichten

…her cultured, free of any trace of exaltation interpretation of Mendelssohn concerto and excellent performance of Ysaÿe’s Ballad as an encore offered hope that organizers of musical life in Silesia will remember about this soloist more often in the future.                             Gazeta Robotnicza, Wrocław

romans-e-dur-aleksander-zarzycki.mp3

mazurek-g-dur-aleksander-zarzycki.mp3

krakowiak-roman-statkowski.mp3

burleska-adam-andrzejowski.mp3

capriccio-valse-e-dur-op-7-henryk-wieniawski.mp3

chanson-polonaise-op-12-nr-2-henryk-wieniawski.mp3

kujawiak-a-moll-henryk-wieniawski.mp3

legenda-g-moll-op-17-henryk-wieniawski.mp3

nokturn-cis-moll-op-posth-nr-20-fryderyk-chopin.mp3

polanaise-brillante-a-dur-op-21-henryk-wieniawski.mp3

scherzo-tarantelle-g-moll-op-16-henryk-wieniawski.mp3

valse-h-moll-op-69-nr-2-fryderyk-chopin.mp3

Magdalena Rezler Niesiołowska  skrzypce

SINFONIETTA BYDGOSTIENSIS

Maciej Niesiołowski  dyrygent

Wydawca: Universal Music Polska ACD 111-2
CON BRAVURA e SENTIMENTO
Polska muzyka wirtuozowska
Andrzejowski, Chopin, Statkowski, Wieniawski, Zarzycki
Opracowanie na skrzypce i orkiestrę ARNOLD REZLER
Magdalena Rezler-Niesiołowska skrzypce
SINFONIETTA BYDGOSTIENSIS
Maciej Niesiołowski dyrygent

PROPOZYCJE PROGRAMÓW RECITALI

I

J. BRAHMS 3 Sonaty na fortepian i skrzypce
G-dur op.78 ca 25′
A-dur op.100 ca 18′
d-moll op.108 ca 20′
całość z przerwą ok. 100 minut

II

MOZART - BEETHOVEN - BRAHMS
Wieczór sonat na skrzypce i fortepian

III

WIECZÓR SONAT ROMANTYCZNYCH na skrzypce i fortepian

F. Mendelssohn - Sonata F-dur
E. Grieg - Sonata c-moll
C. Franck - Sonata A-dur z przerwą ok. 120 min.

IV

HITY MUZYKI FRANCUSKIEJ na skrzypce i fortepian

C. Franck Sonata A-dur
C. Saint-Saens Introdukcja i Rondo-Capriccioso
E. Chausson Poem
M. Ravel Tzigane

V

KONCERT BISÓW

Przykład programu:

A. Dvorak Humoreska
A. Chaczaturian Maskarada
K. Bohm Gavot
C. Debussy Minstrels
H. Wieniawski Polonaise
Legenda
Kujawiak
J. Massenet Thais
J. Suk 4 Utwory
D. Szostakowicz 4 Preludia
R. Statkowski Mazurek
Kujawiak
A. Andrzejowski Burleska

Program można dowolnie wymieniać, wydłużać lub skracać
Przeciętny czas koncertu (z przerwą) ok. 100-110 minut

VI

MUZYKA POLSKA na skrzypce i fortepian

J. Paderewski Sonata
K. Szymanowski Sonata
A. Zarzycki Romans
Mazurek
H. Wieniawski Scherzo-Tarantella
Legenda
Polonaise A-dur

Albo

J. Paderewski Sonata
K. Szymanowski Mity
Nokturn i Tarantela
W. Lutosławski Partita

Programy można dowolnie wymieniać.
Przeciętny czas koncertu (z przerwą) 100 do 120 minut

VII

DUET SKRZYPCOWY
MUZYKA POLSKA i NIEMIECKA

Wyk.: Magdalena Rezler Niesiołowska
Adam Niesiołowski

Program:

G. Ph. Telemann Sonata kanoniczna G-dur na dwoje skrzypiec
J. S. Bach Chaccona d- moll na skrzypce solo
J. Spohr Duet Es-dur op.3

F. Janiewicz Divertimento na 2 skrzypiec
G. Bacewicz Sonata na skrzypce solo
H. Wieniawski Kaprys op.18 nr 2 na dwoje skrzypiec
G. Bacewicz Suita na dwoje skrzypiec

VIII

MUZYKA XX WIEKU na skrzypce i fortepian

P. Hindemith Sonata Es-dur op.11 nr.1
S. Prokofiew Sonata D-dur op. 94a
G. Bacewicz Sonata nr.4
W. Lutosławski Partita

IX

DZISIEJSZA MUZYKA POLSKA na skrzypce i fortepian

K. Meyer Sonata na skrzypce solo
Misterioso op. 93 na skrzypce i fortepian
R. Twardowski Capriccio In Blue
Niggunim
A. Tansman Cinq Pieces
H. M. Górecki Variazioni

PROPONOWANE UTWORY Z ORKIESTRĄ

KONCERTY:
Bach Koncerty E-dur i a-moll Vivaldi Cztery pory Roku
Mozart - wszystkie koncerty
Beethoven - D-dur
Mendelssohn e-moll
Lalo (Symphonie espagnole)
Wieniawski - d-moll
Brahms - D -dur
a-moll (na skrzypce i wiolonczelę) Sibelius -d-moll
Bruch - g-moll
S. Prokofiew - g-moll
Karłowicz A-dur
Szymanowski - nr.1 i nr.2
Meyer - nr. 2
na skrzypce i wiolonczelę

INNE UTWORY:

Beethoven - Romanse
Chausson - Poem
Ravel - Tzigane
Saint-Saens - Introdukcja i Rondo Capriccioso op.28
- Havanaise op.83
Baird - Espressioni Varianti
Lutosławski - Partita

OPRACOWANIA NA SKRZYPCE Z ORKIESTRA
ARNOLDA REZLERA:

Kreisler - Kaprys Wiedeński
- Radość Miłości
Wieniawski - Polonez A-Dur op.21
- Scherzo-Tarantella op.16
- Legenda op.17
- Walc-Kaprys op.7
- Kujawiak
- Pieśń Polska op.12
Zarzycki - Mazurek G-Dur op.26
- Romans op.16
Andrzejowski - Burleska
Statkowski -Krakowiak op.7
Chopin - Grande Valse a-Moll op.34
- Valse h-Moll op.69
- Nokturn cis- Moll op.posth

Pianista Andrea Passigli studiował we Włoszech i USA. Ukonczyl  z najwyzszym odznaczeniem  Konserwatorium L. Cherubini we Florencji w klasie Marii Tipo. Na zaproszenie Rudolfa Serkina uczestniczył w Marlboro Music Festival. Rudolf  Serkin miał duży wpływ na muzyczny rozwój artysty i jego szczegolne zainteresowanie wiedeńskim klasycyzmem. Silny wpływ na osobowość artysty mieli również Pablo Casals i Nikita Magaloff, z którymi spotykał się od dzieciństwa. Andrea Passigli jest solistą, kameralistą i posiada glebka znajomosc repertuaru Lieder. Grał recitale i koncerty we Włoszech, USA, Austrii, Angli, Holandii, Rosji, Rumunii, Jugosławii, na Węgrzech i w Polsce. Nagrał podwójny album z muzyką na fortepian solo Schuberta wydany przez “foné” oraz  CD “Ema Records” z flecistą Alexandrem Duisbergiem, poświęcony francuskiemu impresjonizmowi, jak również CD z barytonem Leonardo Wolovsky z Lieder do tekstow Heinego. Andrea Passigli jest profesorem fortepianu w Konserwatorium G. Frescobaldi w Ferrarze we Włoszech.

Skrzypaczka Weronika Kadłubkiewicz jest absolwentką Wyższej Szkoły Muzycznej w Warszawie w klasie Krzysztofa Jakowicza. Kontynuowała studia z Henrykiem Szeryngiem i Romanem Totenbergiem w USA. Solistka wielu orkiestr w Polsce, USA i Europie, koncertmistrz New Hampshire Symphony, Orchesta Filarmonica de Gran Canaria i Polskiej Orkiestry Kameralnej. Grała również z Boston Symphony i Orpheus Chamber Orchestra. Dwukrotnie uczestniczyła w Sommerkurse w Darmstadt, a na zaproszenie Lejarena Hillera była rezydentką Creative Associates w Buffalo NY. Występowała na scenach w Polsce, Hiszpanii, Włoszech, Szwecji, Francji, Niemczech, Szwajcarii, Kanadzie i USA. Utalentowana wykonawczyni skrzypcowej muzyki współczesnej ma na swoim koncie prawykonania utworów, z których wiele zostało napisanych specjalnie dla niej. Weronika Kadłubkiewicz brała udział w festiwalach: Warszwska Jesień, Marlboro Music Festival, Bach Aria, Monadnock Music i inne. Prowadziła klasę skrzypiec i muzyki kameralnej w Amherst College, University of Massachusetts i w Smith College. Nagrała płyty dla firm Gasparo i CRI. Po dwudziestu latach pobytu w Stanach Zjednoczonych przeniosła się do Paryża.

J.S. Bach Veronica Kadlubkiewicz skrzypce solo

Koncert muzyki skrzypcowej J.S. Bacha w Państwowej Szkole Muzycznej (PSM) w Opolu 7 października 2007 o godzinie 19:00.

W cenie biletu jest płyta z nagraniem artystki sonata a-moll BWV 1003 J.S. Bacha.

Program:

Sonata a-moll BWV 1003

Partita E-dur BWV 1006

Partita d-moll BWV 1004

Honorowy Patronat Prezydenta Miasta Opola Pana Ryszarda Zembaczyńskiego.

Przedsprzedaż biletów w Sklepie Muzycznym CODA. Zamawianie biletów pod telefonem 605259528. Sprzedaż biletów godzinę przed koncertem w szatni PSM. Cena biletów 35zł. Zniżka dla uczniów, studentów i emerytów.

Darmowy koncert muzyki skrzypcowej J.S. Bacha w Kosciele w Mosznej

6 października 2007 godzina 17:00.

Solistka: Veronica Kadlubkiewicz skrzypce

Program:

Sonata a-moll BWV 1003

Partita E-dur BWV 1006

Partita d-moll BWV 1004

“… a dazzling violinist..” in the words of Herman Trotter (High Fidelity Magazine)

Master Class, Minturno, Italy 14-18 July 2009  - registration up to 15 May 2009 

Veronica Schreiber Kadlubkiewicz graduated with highest honors of the Warsaw Academy of Music in Poland and continued her studies in the USA with Henryk Szeryng, Roman Totenberg and Paul Zukofsky. Finalist of the Alberto Curci Competition in Naples, Italy, she received a special award from the Rockefeller Competition for Excellence in American Music in Washington D.C. Ms. Kadlubkiewicz has appeared as soloist with orchestras in the USA, Poland, Italy and Spain. She has also frequently performed at such festivals as Marlboro Music, Bach Aria Festival, Monadnock Music, Estatedi Radicondoli, Musica Electronica Nova and Warsaw Autumn Festival. An avid performer of solo violin recitals sought out for her interpretations of contemporary music, each year she premieres new compositions written for her. She was a participant in the Sommerkurs fur Neue Musik in Darmstadt and a member of Creative Associates in Buffalo, NY.
Formerly concertmaster of the Polish Chamber Orchestra, Orquesta Filarmónica de Gran Canaria and the New Hampshire Symphony, Veronica Kadlubkiewicz has also played with the Orpheus Chamber Orchestra, the Boston Symphony Orchestra, and the New England Camerata. She taught violin and chamber music at the University of Massachusetts in Amherst, Smith College and Amherst College.
Ms. Kadlubkiewicz now resides in Paris, France where she has appeared at Salle Cortot; Ecole Normale Supérieure, rue d’Ulm; St. Julien le Pauvre; and Eglise de Trinité among others. Last season she performed in Italy, the USA, Poland, France and premiered compositions by Francois Nicolas, Salvatore Macchia and Beatriz Ferreyra, all written for her. The season 08/09 will see her giving many “all Bach” presentations of his solo violin works, the Concerto by Philip Glass as well as piano-violin recitals.
Ms. Kadlubkiewicz has recorded for Gasparo and CRI labels, Polish Radio, and WDR in Germany.

“…a great artist…”
Henryk Szeryng, Ann Arbor, MI

“…Her performance of Berg’s Chamber Concerto was not only perfection itself, but stands apart
as the most eloquent performance of this difficult work I have yet heard…”
Morton Feldman

“…she possesses temperament, the ability to evoke many contrasting moods, and a wide range of tone colors..”
Magil, American Record Guide

“…delicate and perceptive warmth of expression…” “effortlessly detailing each nuance of phrasing…”
Catherine Nelson, Strad, London

“…intense interpretation, profoundly vital, in perfect harmony with Mozart’s spirit…” “…authentic revelation…”
Rafael Nebot, La Provincia, Spain

“…distinct expression, impeccable sound and technique …”
Krzysztof Baculewski, Studio, Poland

“…a striding violinist with formidable modern technique, an extraordinary ear for intonation and a load of dramatic projection…”
John Dwyer, Buffalo Evening 

“…she has performed two masterpieces of J.S.Bach : Sonata in g minor and Partita in d minor. Her playing perfectly mastered, the force of her attacks and retakes, the nuances and sensitivity of her interpretation immersed the audience in the atmosphere of meditation and contemplation. »    L’echo, Chartres, France

pedagog skrzypaczka Veronica Kadlubkiewicz

Karol Szymanowski Sonata d-moll Op.9.mp3           Elizabeth Wright, piano

Witold Szalonek Chaconne-Fantaisie.mp3

Grażyna Bacewicz Druga Sonata na skrzypce solo.mp3

J.S. Bach Sonata a-moll BWV 1003.mp3

Lewis Spratlan Night Music.mp3   Michael Sussman clarinet i John P.Kelly percussion

Donald Wheelock Partita.mp3     

Salvatore Macchia Chamber Concerto No. 3.mp3     with musicions of University of Massachusetts in Amherst

Robert Stern Fantasy Etude.mp3

Lutosławski Partita - ad libitum (kliknij aby posłuchać utworu)     Elizabeth Wright, piano

Firma GASPARO

GSCD-226 Music From New England (conterporary music for solo violin of american composers: Wheelock, Macchia, Spratlan, Stern)

GSCD-338 “Violin Music from Poland” (Szymanowski, Szalonek, Lutoslawski, Bacewicz)

GSCD-298 Samuel Adler: Chamber Music with Piano Trio no2 (z McDowell Trio)

GSCD-316 D.Wheelock - Sonata for Violin and Piano

GSCD-310 S. Macchia - Horn Trio

GSCD-318 J.Bolle - Duo for Violin and Bass

GSCD-315 L.Sowerby -2 Song Cycles for soprano and string quartet (with D’Anna Fortunato)

Firma CRI

CRI-808 S.Lindroth - Duo for violins ( with Curtisem Macomber)

B1. J.S.Bach violin solo (about 70 min of music)

Sonata A minor BWV 1003

Partita E major BWV 1006

Partita D minor BWV 1004

B2. J.S. Bach violon solo (about 60 min of music)

Sonata G minor BWV 1001

Partita B minor BWV 1002

Sonata C major BWV 1005

Violin solo - different compositions (about 60 min of music)

R1.

J.S. Bach - Sonata A minor BWV 1003

S. Macchia - Agire (2000)

E. Ysaye - Sonata No. 6

R2.

J.S. Bach - Partita D minor BWV 1004

B. Bartok - Sonata

R3.

J.S. Bach - Partita E major BWV 1006

E. Ysaye - Sonata No. 2

G.Bacewicz - Sonata

R4.

E. Ysaye - Sonata No. 2

Sonata No. 3

S. Prokofiew - Sonata

G. Bacewicz - Sonata

Concertos for violin and orchestra:

K1. J.S. Bach Concert A minor

K2. W.A. Mozart Concert A major

K3. L.van Beethoven Concert D major

K4. H. Wieniawski Concert D minor

K5. C. Saint-Saens Concert B minor

K6. F. Mendelssohn Concert E minor

K7. K. Szymanowski Concert No. 1

K8. S. Prokofiew Concert D major