Pianista Andrea Passigli studiował we Włoszech i USA. Ukonczyl  z najwyzszym odznaczeniem  Konserwatorium L. Cherubini we Florencji w klasie Marii Tipo. Na zaproszenie Rudolfa Serkina uczestniczył w Marlboro Music Festival. Rudolf  Serkin miał duży wpływ na muzyczny rozwój artysty i jego szczegolne zainteresowanie wiedeńskim klasycyzmem. Silny wpływ na osobowość artysty mieli również Pablo Casals i Nikita Magaloff, z którymi spotykał się od dzieciństwa. Andrea Passigli jest solistą, kameralistą i posiada glebka znajomosc repertuaru Lieder. Grał recitale i koncerty we Włoszech, USA, Austrii, Angli, Holandii, Rosji, Rumunii, Jugosławii, na Węgrzech i w Polsce. Nagrał podwójny album z muzyką na fortepian solo Schuberta wydany przez “foné” oraz  CD “Ema Records” z flecistą Alexandrem Duisbergiem, poświęcony francuskiemu impresjonizmowi, jak również CD z barytonem Leonardo Wolovsky z Lieder do tekstow Heinego. Andrea Passigli jest profesorem fortepianu w Konserwatorium G. Frescobaldi w Ferrarze we Włoszech.

Skrzypaczka Weronika Kadłubkiewicz jest absolwentką Wyższej Szkoły Muzycznej w Warszawie w klasie Krzysztofa Jakowicza. Kontynuowała studia z Henrykiem Szeryngiem i Romanem Totenbergiem w USA. Solistka wielu orkiestr w Polsce, USA i Europie, koncertmistrz New Hampshire Symphony, Orchesta Filarmonica de Gran Canaria i Polskiej Orkiestry Kameralnej. Grała również z Boston Symphony i Orpheus Chamber Orchestra. Dwukrotnie uczestniczyła w Sommerkurse w Darmstadt, a na zaproszenie Lejarena Hillera była rezydentką Creative Associates w Buffalo NY. Występowała na scenach w Polsce, Hiszpanii, Włoszech, Szwecji, Francji, Niemczech, Szwajcarii, Kanadzie i USA. Utalentowana wykonawczyni skrzypcowej muzyki współczesnej ma na swoim koncie prawykonania utworów, z których wiele zostało napisanych specjalnie dla niej. Weronika Kadłubkiewicz brała udział w festiwalach: Warszwska Jesień, Marlboro Music Festival, Bach Aria, Monadnock Music i inne. Prowadziła klasę skrzypiec i muzyki kameralnej w Amherst College, University of Massachusetts i w Smith College. Nagrała płyty dla firm Gasparo i CRI. Po dwudziestu latach pobytu w Stanach Zjednoczonych przeniosła się do Paryża.

Café 1930 - Astor Piazzolla.mp3

Milonga de mis Amores.mp3

Palomita Blanca.mp3

Bordel 1900 - Astor Piazzolla.mp3

Milonga del Angel - Astor Piazzolla.mp3

Payadora.mp3

Los ejes de mi carreta.mp3

Nocturna.mp3

Libertango - Astor Piazzolla.mp3

La cueca del violin.mp3

J.S. Bach Veronica Kadlubkiewicz skrzypce solo

Koncert muzyki skrzypcowej J.S. Bacha w Państwowej Szkole Muzycznej (PSM) w Opolu 7 października 2007 o godzinie 19:00.

W cenie biletu jest płyta z nagraniem artystki sonata a-moll BWV 1003 J.S. Bacha.

Program:

Sonata a-moll BWV 1003

Partita E-dur BWV 1006

Partita d-moll BWV 1004

Honorowy Patronat Prezydenta Miasta Opola Pana Ryszarda Zembaczyńskiego.

Przedsprzedaż biletów w Sklepie Muzycznym CODA. Zamawianie biletów pod telefonem 605259528. Sprzedaż biletów godzinę przed koncertem w szatni PSM. Cena biletów 35zł. Zniżka dla uczniów, studentów i emerytów.

Darmowy koncert muzyki skrzypcowej J.S. Bacha w Kosciele w Mosznej

6 października 2007 godzina 17:00.

Solistka: Veronica Kadlubkiewicz skrzypce

Program:

Sonata a-moll BWV 1003

Partita E-dur BWV 1006

Partita d-moll BWV 1004

“… a dazzling violinist..” in the words of Herman Trotter (High Fidelity Magazine)

Master Class, Minturno, Italy 14-18 July 2009  - registration up to 15 May 2009 

Veronica Schreiber Kadlubkiewicz graduated with highest honors of the Warsaw Academy of Music in Poland and continued her studies in the USA with Henryk Szeryng, Roman Totenberg and Paul Zukofsky. Finalist of the Alberto Curci Competition in Naples, Italy, she received a special award from the Rockefeller Competition for Excellence in American Music in Washington D.C. Ms. Kadlubkiewicz has appeared as soloist with orchestras in the USA, Poland, Italy and Spain. She has also frequently performed at such festivals as Marlboro Music, Bach Aria Festival, Monadnock Music, Estatedi Radicondoli, Musica Electronica Nova and Warsaw Autumn Festival. An avid performer of solo violin recitals sought out for her interpretations of contemporary music, each year she premieres new compositions written for her. She was a participant in the Sommerkurs fur Neue Musik in Darmstadt and a member of Creative Associates in Buffalo, NY.
Formerly concertmaster of the Polish Chamber Orchestra, Orquesta Filarmónica de Gran Canaria and the New Hampshire Symphony, Veronica Kadlubkiewicz has also played with the Orpheus Chamber Orchestra, the Boston Symphony Orchestra, and the New England Camerata. She taught violin and chamber music at the University of Massachusetts in Amherst, Smith College and Amherst College.
Ms. Kadlubkiewicz now resides in Paris, France where she has appeared at Salle Cortot; Ecole Normale Supérieure, rue d’Ulm; St. Julien le Pauvre; and Eglise de Trinité among others. Last season she performed in Italy, the USA, Poland, France and premiered compositions by Francois Nicolas, Salvatore Macchia and Beatriz Ferreyra, all written for her. The season 08/09 will see her giving many “all Bach” presentations of his solo violin works, the Concerto by Philip Glass as well as piano-violin recitals.
Ms. Kadlubkiewicz has recorded for Gasparo and CRI labels, Polish Radio, and WDR in Germany.

“…a great artist…”
Henryk Szeryng, Ann Arbor, MI

“…Her performance of Berg’s Chamber Concerto was not only perfection itself, but stands apart
as the most eloquent performance of this difficult work I have yet heard…”
Morton Feldman

“…she possesses temperament, the ability to evoke many contrasting moods, and a wide range of tone colors..”
Magil, American Record Guide

“…delicate and perceptive warmth of expression…” “effortlessly detailing each nuance of phrasing…”
Catherine Nelson, Strad, London

“…intense interpretation, profoundly vital, in perfect harmony with Mozart’s spirit…” “…authentic revelation…”
Rafael Nebot, La Provincia, Spain

“…distinct expression, impeccable sound and technique …”
Krzysztof Baculewski, Studio, Poland

“…a striding violinist with formidable modern technique, an extraordinary ear for intonation and a load of dramatic projection…”
John Dwyer, Buffalo Evening 

“…she has performed two masterpieces of J.S.Bach : Sonata in g minor and Partita in d minor. Her playing perfectly mastered, the force of her attacks and retakes, the nuances and sensitivity of her interpretation immersed the audience in the atmosphere of meditation and contemplation. »    L’echo, Chartres, France

pedagog skrzypaczka Veronica Kadlubkiewicz

Karol Szymanowski Sonata d-moll Op.9.mp3           Elizabeth Wright, piano

Witold Szalonek Chaconne-Fantaisie.mp3

Grażyna Bacewicz Druga Sonata na skrzypce solo.mp3

J.S. Bach Sonata a-moll BWV 1003.mp3

Lewis Spratlan Night Music.mp3   Michael Sussman clarinet i John P.Kelly percussion

Donald Wheelock Partita.mp3     

Salvatore Macchia Chamber Concerto No. 3.mp3     with musicions of University of Massachusetts in Amherst

Robert Stern Fantasy Etude.mp3

Lutosławski Partita - ad libitum (kliknij aby posłuchać utworu)     Elizabeth Wright, piano

Firma GASPARO

GSCD-226 Music From New England (conterporary music for solo violin of american composers: Wheelock, Macchia, Spratlan, Stern)

GSCD-338 “Violin Music from Poland” (Szymanowski, Szalonek, Lutoslawski, Bacewicz)

GSCD-298 Samuel Adler: Chamber Music with Piano Trio no2 (z McDowell Trio)

GSCD-316 D.Wheelock - Sonata for Violin and Piano

GSCD-310 S. Macchia - Horn Trio

GSCD-318 J.Bolle - Duo for Violin and Bass

GSCD-315 L.Sowerby -2 Song Cycles for soprano and string quartet (with D’Anna Fortunato)

Firma CRI

CRI-808 S.Lindroth - Duo for violins ( with Curtisem Macomber)

B1. J.S.Bach violin solo (about 70 min of music)

Sonata A minor BWV 1003

Partita E major BWV 1006

Partita D minor BWV 1004

B2. J.S. Bach violon solo (about 60 min of music)

Sonata G minor BWV 1001

Partita B minor BWV 1002

Sonata C major BWV 1005

Violin solo - different compositions (about 60 min of music)

R1.

J.S. Bach - Sonata A minor BWV 1003

S. Macchia - Agire (2000)

E. Ysaye - Sonata No. 6

R2.

J.S. Bach - Partita D minor BWV 1004

B. Bartok - Sonata

R3.

J.S. Bach - Partita E major BWV 1006

E. Ysaye - Sonata No. 2

G.Bacewicz - Sonata

R4.

E. Ysaye - Sonata No. 2

Sonata No. 3

S. Prokofiew - Sonata

G. Bacewicz - Sonata

Concertos for violin and orchestra:

K1. J.S. Bach Concert A minor

K2. W.A. Mozart Concert A major

K3. L.van Beethoven Concert D major

K4. H. Wieniawski Concert D minor

K5. C. Saint-Saens Concert B minor

K6. F. Mendelssohn Concert E minor

K7. K. Szymanowski Concert No. 1

K8. S. Prokofiew Concert D major  

They’ve met in 2006 in Paris…a place between  Poland and Argentina…She - Polish, born to a musical Silesian family, plays classical and contemporary music all over the worldHe -  born in Argentina, the cradle of tango, to a family where everybody plays tango on different instruments…

They’ve met in tango…

Duo Cordato is inviting you to a tango,  an emotional journey via laughter and fascination, flirt and jealousy, passion, sensuality and love. Manuel Romero said: “Tango is not only a dance. Tango is a kind of lifestyle, state of mind and philosophy. Tango was born from the very deep inside of a human soul and therefore its language is understood by every human being.”

Tango was born in the street. Today it is being played in grand concert halls and danced everywhere.

Tango is a ballroom dance originating from Buenos Aires in Argentina and Montevideo in Uruguay. Habanera and flamenco, the Spanish traditions transplanted to South America, mixed with “candombe”, the dance of African slaves performed and sang at street parades, are at its roots. The word “cum-tan-go” is being repeated in the refrain and this is where “tango” comes from. With a time “candombe” was transformed into “milonga”.

Astor Piazzola (1921-1992) was a musical genius for whom the national dance became a raw material on the basis of which he has invented a completely new music genre. He raised the status of tango from town music to classical music. Piazzola was a great visionary composer, recognised internationally. Unfortunately, he had to fight with the lack of understanding in his own country.

Kacper Podrygajło has written: “In Piazzola’s music the Bach tradition clashes with dances originating from Buenos Aires brothels…In the Baroque tradition everything was mixed up and nobody paid attention to possible misalliance. Gigue (old French ham) was worshiped and by means of this act became an integral part of the Baroque mass. Da chiesa sonata rarely occurred alone. Suite was composed of a cycle of dancing pieces which usually differed from their original versions. We find the same in Piazzola’s music. He writes tango in such a stylized manner that each piece of music differs from each other and, at the same time, they are identical with what they do not represent. However, it does not mean that they are written in a way Bach would have written them if he had lived to our days.”

Duo Cordato with Veronica Kadlubkiewicz violin and Sebastian Cordato guitar and voice perform music of Astor Piazzola’s as well as their own improvisations on dancing music from Argentina.

 Astor Piazzolla and dancing rythms of Argentina   

                                 about 35 minutes of music of Duo Cordato

Weronika Kadłubkiewicz violin i Sebastian Cordero guitar and singing